Hamlet Theme of Appearance vs. Reality Essay

Shakespeare examines the source of mien and naturalism in his book- juncture. The dilemma of what is real is established at the very beginning of the play. juncture doesnt inhabit what to believe and devises a plan to find out. The sr. king critical point appears to be bitten by a snake, but in honesty he was poisoned, the weirdo appears as an apparition, but its real real, and the play-with-in-a-play strongly depicts the theme of appearance vs. reality. The dead King appears to surrender been bitten by a snake. In reality, he has been poisoned.Everyone believes that the king died from snakebite, but once village knows the truth he is unsettled by the revelation. When small towns dead father directs his son to, Avenge him of his foul and nearly unnatural murder (1. 5. 25), Hamlets response shows determination to act and a curiosity to know all the facts surrounding the murder (1. 5. 29-31) Haste me to knowt, that I, with wings as swift, as meditation or the thoughts of love may sweep to my revenge. Hamlets choice of image is significant here.A mortal who wants to take revenge rarely has thoughts of love but only concentrates upon thoughts of revenge, but Hamlets inclination for revenge is immediate and deep. Shakespeare also develops the theme of appearance vs. reality when Hamlet resents his mothers innuendo that he is putting on a show of being grief-stricken. Strangely, he is the only one in the family who is truly mourning his fathers death. He replies that all outwardly signs of his grief, such as his bare cloak of mourning, his tears, and his sighs, are mere appearances, not even close to the depth of the real grief in his heart (1. 2.70-80). This theme of appearance vs. reality will play an important part in the absolute play. Another example of appearance vs. reality is the Ghost that appears as an apparition from the depths of hell, when actually he is the average of reality, revealing the facts to Hamlet. The pinch tells Hamlet th at his father was murdered, Revenge his foul and most unnatural murder (1. 5. 25). Since Hamlet doubts the sincerity of the Ghosts revelation, he decides to put on the appearance of being mad to attend if this is true, Ill wipe away all trivial records ? and they commandment all alone shall live (1. 5. 99-102).Hamlets decision to simulate madness as a means of enacting his revenge is important. The news that Hamlet received about his father and his mother could drive anyone insane. As a result, the line between appearance and reality becomes notably distorted as the play progresses. Guildernstern says in Act 3 lines7-9, But with a crafty madness keeps aloof when we would bring him on to some confession of this true state. At quantify it also seems that Hamlets appearance of madness has become a reality, (3. 1. 201-203) You should not have believed me, for integrity cannot so inoculate our older stock but we shall relish of it.I love you not. Hamlet loved Ophelia so this is def initely not true, but during the guide of the play, his madness seems so genuine that one wonders if he is acting. The most obvious symbol of ? appearance vs. reality is the play-within-a-play. The actors appear onstage and act out the events that actually happened in reality. Hamlet has carefully orchestrated this play so that he can gauge the degree of reality by Claudius reaction, For murder, though it have no tongue will speak with most superhuman organ? Before mine uncle Ill observe his looks? If ? a do blench, Ill know my course (2. 2. 605-610).Besides furthering the plot of Hamlet, the play-within-a-play also again develops the theme of appearance vs. reality. The fictional drama being presented in advance the King is a parallel to the past reality of the King, and will serve to shape the future reality of the King and several other characters. Hamlet, as director of this great deception on stage, cautions the players not to blow up their expressions and emotions, statin g that only uncivilized groundlings (3. 2. 10-11) are impressed by excessive over-acting. In Act II, Scene 2, Hamlet had asked the players to give a passionate presentation of the killing of Priam by Pyrrhus.Now he specifically instructs the players to dumbfound a temperance in the whirlwind of passion in order to give it smoothness (3. 2. 1-9). He tells them that the intent of the play is to hold the mirror up to nature,(3. 2. 23-25) saying that the representation of action should be a possible reflection of life, with moderation as the keynote (3. 2. 1-45). Hamlets advice to the players is important, because it reveals his state of mind before the staging of the play indicating that Hamlets own mind has finally reached a reasoned balance.In summary, the theme of appearance vs.reality is so well developed that everything in the play must be questioned, for nothing appears certain. Hamlet doesnt know who is telling the truth because of the appearance of some things. Hamlet lives in a reality that appears to be true, but appearances can be deceiving. Hamlet learned that reality is completely different from appearance. The old king Hamlet appears to be bitten by a snake, but in reality he was poisoned, the ghost appears as an apparition, but its actually real, and the play-with-in-a-play strongly depicts the theme of appearance vs. reality.